Murder Hobo Martha is a six-song metal story about an F-rank fighter nobody wants. Rejected by guilds, unwanted by adventuring parties, and saddled with terrible stats and absolutely no useful skills, Martha decides she[read more]

No Gods Above the Sand: Episode 03 closes the story through the eyes of the Apprentice, now carrying the weight of everything the Huntress left behind. Grief turns into purpose as the surviving group[read more]

No Gods Above the Sand (Episode 2) pushes the story into open conflict. The Huntress now knows the truth runs deeper than corrupt royalty, and the Disalts are no longer hiding in the shadows.[read more]

The Tall Men Eat First is a slow gothic metal descent into sealed evidence, blacked-out names, hidden rooms, and elite predation. It takes the language of conspiracy, court seals, flight logs, and buried files,[read more]

Washington Smile is a heavy extreme-metal monster myth sung by RIOT, twisting the Revolutionary War into a brutal cryptid blood feud. George Washington is not just a general here. He is one old king[read more]

“Zephyra The Witch” is a gothic industrial metal story about a mother forced into the shadows to protect the daughter she was never allowed to raise. Set in a world of black vans, secret[read more]

Among the Tall Ones is a gothic metal story song inspired by the legend of Katherine Wells, a girl said to have been rescued and raised by hidden giants beneath the earth. Sung by[read more]

After the Huntress Fell is a cinematic industrial metal track about revenge, collapse, and carrying on a fallen hero’s mission. Inspired by old game worlds, ruined planets, lost technology, dark churches, ancient satellites, and[read more]

This extreme metal satire turns one typo into eternal damnation. Sung by RIOT with dark theatrical energy, Who the Hell is Santa, Anyway? mixes heavy riffs, cello-driven drama, and absurd holiday horror into a[read more]