No Gods Above the Sand: Episode 03 closes the story through the eyes of the Apprentice, now carrying the weight of everything the Huntress left behind. Grief turns into purpose as the surviving group[read more]

No Gods Above the Sand (Episode 2) pushes the story into open conflict. The Huntress now knows the truth runs deeper than corrupt royalty, and the Disalts are no longer hiding in the shadows.[read more]

No Gods Above the Sand: Episode 01 begins in a world where the heat never lets up, water is controlled like currency, and most people have learned not to ask what is buried beneath[read more]

Sometimes revenge isn’t loud… it’s patient. Three Breaches Filled follows someone left for dead, crawling back through frozen ground with only one thing keeping them alive: unfinished business. Every knock at the door, every[read more]

Sometimes doing the right thing hurts more than doing nothing at all. Empathy Thermalized is about those impossible moments where compassion becomes a weapon pointed back at yourself. Save the innocent. Destroy the monster.[read more]

This Kingdom I Have Built is a progressive metal track featuring LYRA’s emotional clean vocals, atmospheric soundscapes, and intricate guitar work that gradually builds from quiet reflection into a powerful climax. Melodic riffs, dynamic[read more]

“Good Containers” is a gothic progressive metal descent into the machinery of reincarnation, containment, and control. Sung by LYRA with eerie restraint and explosive force, the song imagines the body as a vessel, the[read more]

*The Corrupted Thread* follows the rise, collapse, and ugly second life of a royal thread-puller born into a civilization that treats conquest like religion. Across eight tracks, Android 86 builds a dark sci-fi industrial[read more]

“Witness of Six Days” is an epic metal testimony sung by LYRA, music co-written by John Debasio. Built around a tense guitar intro, heavy cinematic movement, and a chorus meant to hit like a[read more]

The Tall Men Eat First is a slow gothic metal descent into sealed evidence, blacked-out names, hidden rooms, and elite predation. It takes the language of conspiracy, court seals, flight logs, and buried files,[read more]

Level 18 is Android 86’s fast rap-metal debt-horror anthem, sung by LYRA with speed, bite, and cold system-narrator sarcasm. Heavy guitars drive the track forward as adulthood becomes a corrupted game tutorial where the[read more]

Working the Pivot is a metalcore / industrial rap-metal satire sung by LYRA, built around the idea that political systems do not simply defeat reformers, they absorb them. The song follows a newly elected[read more]